“A special mention must also go to the incredible vocal performance of soprano Sarah Eyden who provided a focus to which the whole piece encircled.” “Evocation of a Neophyte” by John Zorn. Barbican. 2006

“Her voice is controlled, intonation perfect and wit and hmour an added extra – she is truly an all round entertainer” Ted Heath UK tour. 2006.

High soprano Sarah Eyden was the de facto leader of the performance (if not the group), her crystalline lines joyously slicing to the back of the hall. Carnegie Hall, New york Times. Ben Finane. 2003.

Here we were treated to a real WOW experience – the fabulous voice of Sarah Eyden, a soprano of great expression and agility with a wide range, clear diction and, best of all, an ability to sing without wobbling, she merely uses a discreet vibrato when necessary. What a joy it is to hear a voice like this! Her three songs from Peter Pan were given a distinguished performance and she brilliantly conveyed the various emotions from childlike innocence to dreaming of building a life with Peter…….A very good show with the RPO sounding like a gigantic swing band having a good time and, for the first time in some time, Ms Eyden gave us the chance to hear some fine, almost perfect singing.?

Bob Briggs

Bernstein on Broadway Cadogan Hall 2009.

'Glitter and Be Gay' is a fiendishly difficult pastiche of a coloratura aria which Eyden managed exquisitely well; Barbara Cook, for whom it was written, could not have done it better…….

Michael Darvell. Classical Music Source Review. Cadogan Hall 2009.